Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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henry john sylvester stannard
Children at the Edge of a Hay field (mk37)

ID: 25268

henry john sylvester stannard Children at the Edge of a Hay field (mk37)
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henry john sylvester stannard Children at the Edge of a Hay field (mk37)


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henry john sylvester stannard

1870-1951   Related Paintings of henry john sylvester stannard :. | Ludwig Tieck sitting to the Portrait Sculptor David d'Angers | Madonna of Senigallia | The Yellow Curtain, | The god of the forest with their fairy | Frederick II of Prussia as general |
Related Artists:
William J.Glackens
March 13.1870-May 22.1938,American painter and illustrator. He graduated in 1889 from Central High School, Philadelphia, where he had known Albert C. Barnes, who later became a noted collector of modern art. He became a reporter-illustrator for the Philadelphia Record in 1891 and later for the Philadelphia Press. In 1892 he began to attend evening classes in drawing at the Pennsylvania Academy of Fine Arts, studying under Thomas Anshutz. In the same year he became a friend and follower of Robert Henri, who persuaded him to take up oil painting in 1894.
Domenico Morelli
Italian, 1826-1901,Italian painter and teacher. Unique among his Italian colleagues in enjoying an international reputation in his lifetime, he was, with Filippo Palizzi (see PALIZZI, (2)), the leading exponent of the Neapolitan school of painting in the second half of the 19th century and a major figure in the artistic and cultural life of Italy. His realistic treatment of Romantic subjects revitalized academic painting,
LUINI, Bernardino
Italian High Renaissance Painter, ca.1480-1532 Italian painter and draughtsman. He was one of the generation of Lombard painters active around 1500 who, influenced by Leonardo and Raphael, blended High Renaissance innovations with indigenous Milanese elements to create a Lombard Renaissance style. Luini's paintings were extremely popular with both collectors and critics from c. 1790 to the end of the 19th century. This widespread popularity, however, had unfortunate consequences: many of his frescoes were detached from their original settings, many of the panel paintings were transferred to canvas and other works were heavily restored. As a result few survive in a good state. About 700 works are attributed to Luini, but many of these attributions are over optimistic.






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